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Celebrations: A
Boy's Easter, And Christmas, too
by Thomas Palakeel
originally published in The
Critic (Chicago) and Grand Forks Herald
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On the first day of December, my mother woke me up early in the morning and sent me on to church to start making my spiritual bouquet for Christmas: a potpourri of twenty-five days of church attendance, one-hundred good thoughts, twenty-five rosaries, fifty abstinences, twelve acts of forgiveness, and twelve good deeds. This bouquet was to be my gift to Infant Jesus, in gratitude of all the blessings of the year. Every morning, I would spring up from my bed and start preparing for my journey to the church, imagining I was a little magi, wearing a jewelled turban and flowing garments, riding a camel, bringing a great gift for the holy child. I had heard a rumor that actually one of the three wise men had gone to Bethlehem from India where I was born. If it were so, I suspected the magi might have passed through our Thidanad village. "The bouquet is what matters in a Christmas," mother said to me, dressing me up in the crisp, starched, lily white shirt and the shorts that I wore for my first holy communion the past summer. And I started off on the first of the 25 trips to the church that foggy morning. Though the stones in the unpaved road bit into my bare feet, I went on cheerfully, hopping over the stone fences with the easy leap of a goat, thinking I was walking on snow. Why not? In those chilly mornings, the lush foliage of rubber, cocoa, banana, coffee, coconut, and tapioca appeared like a mass of snow to me. Green snow, I would tell myself. In my Christmas card collection, I had preserved many snow covered arctic scenes of St. Nicolas and the reindeer and boys my age playing in the snow that looked like a bed of jasmine flowers. How I envied those boys who were fortunate to walk on such vast expanses of snow! Eventually when I got to live in Cheney, Washington, and Grand Forks, North Dakota, the first snow of the winter used to make my mouth water, remembering my snow fantasies. So potent and appetizing were those imagined sights and smells of snow that in those morning treks through the winter landscape of my mind, I was able to venture out onto the farther shores with a great sense of abandonment. And I learned to go a long distance with few resources. Now I am amused to remember that the light fog of December was the closest we ever came to the Christmassy winter scene on our tropical land. In Malayalam the word for fog and snow are the same. As I made the first of the 25 trips to the church, I remembered all my failures and illnesses of the past. The Christmas of 1968 was my first one after I had gotten back on the normal path, my mother reminded me. My close friends had sprinted ahead of me into the daily routines of the life of a typical Roman Catholic Syrian Christian of Apostle Thomas. They had long abandoned their paper crowns and the white shirts and the grimy white canvas shoes they received for their first holy communion. They looked taller, inaccessible. They laughed among themselves, telling each other that my intelligence was below room temperature, so to speak. I heard what they said. It did hurt me. And I decided not to leave my brain lukewarm anymore. "We need the Infant's blessings, Thomaskutty," mother would tell me, adding a fond suffix to my name which made me feel like she was constructing more room in my brain, and of course, more room temperature. On my return from the church that morning, I began dreaming up plans for a grand celebration. In the spirit of the magi, I planned to transform our mango tree into a glittering constellation of stars. That evening itself, I went over to the riverside with a machete and cut out half a dozen bamboo sticks that lined the river's edge. I was going to build stars with my bare hands. "Why start so early, my boy? Isn't Christmas a whole month away?" A man who always sat at the river's edge with his fishing-rod asked. "It takes two weeks to dry. And I want'em to bend like a beltsword," I said to him. The sticks dried up promptly as I worked on accumulating good thoughts and good deeds. Performing good deeds proved to be too easy and I did lose interest in such acts as getting the sugar from the cupboard for my mother or taking a jug of coffee for the workers in the field or volunteering to carry lunch for my father and brother in town. Why would the holy child be impressed with such boring good deeds? I began to yearn for a remarkably good deed, even a great deed, like jumping into the river to save a drowning boy. Unfortunately no boy was drowning in those shallow waters. Observing abstinence was not difficult either. I abstained from meat, fish, eggs, sweets. And I bravely abstained from indulging in the visual enjoyment of staring at an occasional car or an elephant that passed up and down the road. I could just close my eyes to something beautiful and the deed would qualify as abstinence in the name of the holy child. After the bamboo dried up, I split each of them into several thin sticks, expending all the arithmetic in my possession. The first step in making the star was to build large equilateral triangles out of the sticks, tying up the corners with rubber bands; two such triangles made the frame for a six-edged star. I joined together the two frames at the edges, and surprise, you got a three-dimensional star which could be decorated with polyethylene papers in yellow, red, green, blue. Inside each star, I lit an oil lamp improvised out of ink-bottles. The magic of electricity did not arrive in our deadend corner during my childhood, leaving it up to me the burden of illuminating the Christmas nights. I told myself that when Mr.Electricity reached our home, I would put up a real starry show, illuminating every tree on our four acres. I did not understand why Cousin KK would not want electric light in his house, though the lines passed right by his house. That year I felt so inventive, I made a beautiful five-edged star, and a long-tailed comet, with a combination of isosceles triangles and equilateral triangles. By the middle of December I hoisted the stars, the first of the season in our village. The very first. One huge star hung from the top of the Chinese roof of our ancient house, another one illuminated from atop a coconut tree, a third one glimmered at the end of a bamboo pole at the gate, and the comet glowed right above the grotto. I knew that everyone who walked past our house in the night, would marvel at the starry sky above our house. A week before Christmas I started constructing a manger scene. I transformed the lower branches of the mango tree into a grotto by bundling it up the with newspapers blackened with charcoal paste. Upon his return home from the store that night, even my father admitted that the newspapers looked really like boulders, as if a grotto had sprung up there out of the earth. However, he was not inspired to provide me with the much-needed funds to complete the celebrations in the right Christmas spirit. To purchase the expensive firecrackers, colorful lamps, spangles, chocolates and other items for the Christmas tree. I kept working on the manger scene inside the grotto, weaving a cavernous structure out of the famous Christmas grass, the silky kind that we saw in the paintings of the manger scene. This grass sprang up all over our village just around Christmas time. My sister Molly pointed out this fact as a proof of the miracle of Christmas. On the first day of the Christmas week, I filled up the manger with little clay images of the Holy Child, Joseph and Mary, the shepherds and lambs, the good donkey eager to smuggle out the Holy Child to Egypt, and my favorites, the three wise men from the East. I used a standing coffee plant as my Christmas tree. I snowed the branches by hanging shreds of white paper and masses of cotton. However, even a day before Christmas Eve, I was way behind in several of the grand schemes: First, I still couldn't convince my brothers or my father to give me money for the pyrotechnical wonder I had been promising my friends, and second, my mother kept reminding me that I was lagging behind in filling up the spiritual bouquet. I had the rosaries and the church attendance all right, but not enough of quality abstinences, for I was stubbornly demanding money for firecrackers. And where were the good deeds? I had none. As I reflected on my condition, sitting on the veranda, leaning my back on one of the three wooden columns that supported the roof of our house, I heard mother and her friend talk about the Granny on the hill, the ninety year old woman whom all the boys feared for some reason. Granny had two sons. They always fought with Granny, and they had abandoned her and moved away. I liked her sons; one of them was a great portrait painter and I used to hang out near his veranda, which he used as his portrait studio. He was such a painstaking artist and I thought maybe he was the best in the world. He could do a portrait better than a camera. When my brother Jacob said that somebody won a big world award for painting a picture called "Crying Woman", particularly after seeing the winning-picture in a magazine (an old man named Picasso drew it!), I thought it was unfair the Granny's son didn't win it; he could have done it a thousand times better. "Will her sons take her away this Christmas?" Mother asked her friend. "No," mother's friend said, chewing betel leaves. "It's unheard of in the good old days," Mother said. "To let an old woman live alone like that." "Isn't that so? It's awful. This world." Mother's friend spat out the red betel juice. She mentioned that her son own Jose, who did odd jobs around the village, went up to Granny's hut and fetched water and firewood for her. The old woman always asked Jose to bring her wild lentils. That was all she ate, boiled lentils with a dash of salt; nobody ate that particular variety of lentils, not even cattle. "I will take her some lentils," I volunteered after mother's friend had left. She was not enthusiastic, for I would have to walk alone through a bush and then take a rather deserted trail up the hill to Granny's. That night I thought about Granny and her sons as much as I pined away about my failing dreams about fireworks and my inability do a good deed. I felt a deep sadness, the same kind I felt when I walked barefoot to the church for my first communion. I remember to the day, that I was the only boy who did not have the white canvas shoes. Father insisted that such things were not important. And my mother agreed. As I became unusually quiet on the most beautiful day of the year, my mother prepared a small sack of wild lentils and sent me to Granny's. The lonely hike through the trail was not frightening at all, and I got to see a large untouched patch of the miraculous Christmas grass, just like it was portrayed in the paintings by the masters of the art. As I reached the top of the hill, I saw a hut before me. A dog slept in the corner of the veranda. The poor animal opened its eyes once and went back to sleep. I stood there with the sack of lentils balanced on my head, calling out, "Granny, Granny, I'am here with the lentils." A few minutes later, I heard some stirrings inside the hut. A thin woman drifted out toward the veranda, rubbing her deep set eyes, her short, white hair flaming around an oval face untouched by age. She looked disoriented, as if awaken from a dream. I laid the sack of lentils at her feet and stood erect, ready to be recognized for my good deed. "Who are you?" Granny mumbled. "I'm the Palakeel boy!" I said. "Oh, my dear child. You've come to see me. I knew that you'd come for this Christmas." It was clear that she was mistaking me for one of her grandsons. I wanted to run away. "Come inside, come inside, my child. Oh, he has come with lentils," Granny said dragging the little sack diagonally across the veranda. "I've to rush home, Granny," I said aloud, running down the hill. I ran all the way home. That Christmas night, we didn't have firecrackers exploding over our roof, but on my way back from the midnight mass, I stood in the middle of the road and watched my comet glimmering above the grotto. Imagine a comet made with my own hands. The shreds of white crepe paper and fluffy cotton on the Christmas tree swayed in the cold breeze. And I felt it was real snow. |